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Apr 29, 2022

We return to our Daniel Day-Lewis Acteurist Oeuvre-view with 1996's The Crucible (directed by Nicholas Hytner with a screenplay by Arthur Miller, based on his 1953 play) and 1997's The Boxer, reuniting Day-Lewis with writer-director Jim Sheridan and writer Terry George from In the Name of the Father and returning to...


Apr 22, 2022

This week's Special Subject takes a look at Sex, Satire, and American Culture in Frank Tashlin's Artists and Models (1955), starring Jerry Lewis, Dean Martin, Shirley MacLaine, and Dorothy Malone, and in Billy Wilder's Kiss Me, Stupid (1964), starring Dean Martin, Kim Novak, Ray Walston, and Felicia Farr. Tashlin uses...


Apr 15, 2022

Fox, 1939: the Greater and the Lesser John Ford Fox movies of 1939, Young Mr. Lincoln, and Drums Along the Mohawk, both starring Henry Fonda. We argue with Cahiers du Cinéma about the politics of Young Mr. Lincoln and find continuities between Ford's work with Will Rogers and his presentation of Lincoln, and discuss...


Apr 8, 2022

In this Daniel Day-Lewis Acteurist Oeuvre-view episode we look at two movies from 1993: Jim Sheridan's In the Name of the Father, about mid-70s English-Irish relations, anti-terrorist hysteria, and father-son relationships; and The Age of Innocence, Martin Scorsese's adaptation of Edith Wharton's novel about social...


Apr 1, 2022

Warner Brothers, 1939: this is a big one, a double feature of Dave Faves, The Roaring Twenties, directed by Raoul Walsh and starring James Cagney and Priscilla Lane (among others), and Dust Be My Destiny, directed by Lewis Seiler and starring John Garfield and Priscilla Lane again. We take the opportunity to contrast...