Jul 9, 2021
Clara Bow gets a wonderful finale to her (unfortunately foreshortened) career in our final Acteurist Oeuvre-view episode devoted to her. Fox comes through with two excellent vehicles: Call Her Savage (1932), directed by John Francis Dillon and brilliantly shot by Lee Garmes, a delightfully lurid Pre-Code that nevertheless contains a critique of white supremacy; and Hoop-La (1933), a sweet-natured romantic comedy with a circus setting and a hard-boiled veneer. We review, one last time, why Clara Bow is the Ultimate Protagonist, and wrap up the series with our Top 10s from the Bow canon.
Time Codes:
0h 01m 00s: CALL HER SAVAGE (1932) [dir. John Francis Dillon]
0h 42m 57s: HOOPLA (1933) [dir. Frank Lloyd]
1H 17m 49s : Elise and Dave’s Top 10 Clara Bow films
+++
* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s
* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)
* Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.
* Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!
*And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.*
Follow us on Twitter at @therebuggy
Write to us at therebuggy@gmail.com