Mar 21, 2020
For our first COVID-19-era Lightbox retrospective episode, we look at the enigmatic cinema of Angela Schanelec. We focus on her two most recent films, THE DREAMED PATH (2016) and I WAS AT HOME, BUT... (2019). Then, in our final, presciently-named Fear and Moviegoing in Toronto segment for “the duration”, it's the last Bressons of TIFF's anniversary retrospective that we were able to see (LANCELOT DU LAC, A GENTLE WOMAN, and his only (?) comedy, FOUR NIGHTS OF A DREAMER), plus we celebrate the emotional generosity of Coppola's PEGGY SUE GOT MARRIED.
Time Codes:
0h 01m 00s: Schanelec Prolegomenon
0h 07m 21s: The Dreamed Path [German title: Der traumhafte Weg] (2016)
0h 39m 13s: I was at Home, But… [German title: Ich war zuhause, aber] (2019)
1h 22m 28s:
Pre-Quarantine cinemagoing:
Une femme douce (1969); Quatre nuits d’un rêveur (1971); Lancelot du lac (1974) [all Dir: Robert Bresson]; Peggy Sue Got Married (1986/dir: Francis Ford Coppola) @ The Revue
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* Find Elise’s latest published film piece “Making America Strange Again: Gangs of New York” in issue #80 Bright Wall/Dark Room*
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Theme Music:
“What’s Yr Take on Cassavetes?” – Le Tigre